Friday, April 4, 2025

RIP Juan Fairen

 


Espulgas City posted that Spanish actor Juan Fairen Ferre, known in the wrestling and film worlds as Johnny el Corso, passed away on March 31st.  Originally a wrestler, like many other wrestlers who made it into films, he was appreciated in the cinema for obvious reasons. He arrived in the mid-sixties and participated in about twenty westerns. As a stuntman and supporting actor, his imposing physique led him to fight hand-to-hand with Giuliano Gemma in "The Long Days of Revenge."

Juan Fairen’s westerns – actor:

Long Days of Revenge – 1966 (brawler)

Pistol for a Hundred Coffins – 1968 (Corbett henchman)

Saguaro – 1968 (brawler)

Tierra Brava - 1969 (Rojas’ bandit)

Blazing Guns – 1971 (Coby 'The Bull')

The Boldest Job in the West – 1971 (blacksmith)

A Cry of Death - 1971 (Johnny) [as Jony Fairen]

4 Candles for My Colt – 1971 (Oswald henchman) [as Johnny ‘El Corso’]

Let's Go and Kill Sartana - 1971 (Carmoni brother)

Requiem for a Bounty Hunter – 1971 (Kelly)

Dallas – 1972 [as Johnny Fairen]

The Federal Man – 1972 (Pedro) [as Jony Fairen]

God in Heaven... Arizona on Earth – 1972 (Styles’ henchman) [as Johnny Fairen]

Now They Call Him Sacramento - 1972 (Tony) [as Johnny Fairen]

Watch Out Gringo! Sabata Will Return - 1972 (Morgan henchman) [as Juan Fairen Farre]

Demasiados muertos para Tex – 1973 (Carmoni brother) [as Juan Fayren]

You Are a Traitor an4 d I'll Kill You! - 1974

Little Known Spaghetti Western actors ~ Meg Clancy

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Meg Clancy appeared in some nineteen films and TV series between 1971 and 2011 but I can find no biographical information on her.

Her only Euro-western appearance was in “Potato Fritz” (Montana Trap) in 1975 in an uncredited role.

CLANCY, Meg – film, TV actress.

Montana Trap – 1975

Spaghetti Western Voices ~ “A Stranger in Town”

As we know most of the Euro-westerns were co-productions from Italy, Spain, Germany and France which incorporated British and American actors to gain a worldwide audience. The films were shot silent and then dubbed into the various languages where they were sold for distribution. That means Italian, Spanish, German, French and English voice actors were hired to dub the films. Even actors from the countries where the film was to be shown were often dubbed by voice actors for various reasons such as the actors were already busy making another film, they wanted to be paid additional salaries for dubbing their voices, the actor’s voice didn’t fit the character they were playing, accidents to the actors and in some cases even death before the film could be dubbed.

I’ll list a Euro-western and the (I) Italian, (S) Spanish, (G) German and (F) French, (E) English voices that I can find and once in a while a bio on a specific voice actor as in Europe these actors are as well-known as the actors they voiced.









Today we’ll cover “A Stranger in Town”

[(I) Italian, (S) Spanish, (G) German, (F) French, (E) English]

The Stranger – Tony Anthony (I) Cesare Barbetti, (S) Juan Vicente, (G) Klaus Kindler

Aguilar – Frank Wolff (I) Renato Turi, (S) Jose Antonio Alaya, (G) Arnold Marquis

Corvo – Raf Baldassarre (I) Massimo Foschi, (S) Eduardo Diez, (G) Rainer Brandt

Maria 'Maruka' Pilar – Gia Sandri (I) Lydia Simoneschi, (S) Montse Galve, (G) Gisela Reißmann

Marinero – Aldo Berti (I) Manlio De Angelis, (S) Alvaro Gonzalez Toledo, (G) Lutz Moik

Captain George Stafford – Lars Bloch (I) Luciano De Ambrosis, (S) Enrique Gracia, (G) Hans Wiegner

 







Lydia Simoneschi  (1908 – 1981)

Lydia Simoneschi was born in Rome on April 4, 1908. She was the daughter of Carlo Simoneschi, had been a famous actor and director of Italian silent cinema. Still very young she decided to be an actress, making her debut in Camillo Pilotto's theater company and acting in various shows around Italy and Europe; In 1932 she made her debut as both a voice actress and a film actress, but her inconspicuous physical appearance did not favor her in the latter sector: she therefore had a modest career in the cinema, acting in only six films between 1932 and 1959 and always confined to small supporting roles, but her persuasive and sophisticated vocal qualities opened the way for her to become a successful voice actress.

She married a South Tyrolean officer of the Royal Navy, Franz Lehmann, from whom she had a son Giorgio: however, she was widowed in 1942: immediately after the loss of her husband she abandoned the theatrical scene, devoting herself exclusively to the much more remunerative work of dubbing actress. In the last years of activity she also worked as a dubbing director. In 1949 her second son, Gianni, was born from the union with her brother-in-law Luigi Lehmann.

Her great versatility as a voice actress is highlighted, for example, in Pietro Germi's film “Un maledetto imbroglio” (1959), in which she dubs both a young Eleonora Rossi Drago, co-star of the film, and the elderly Nanda De Santis. Lydia also dubbed several characters in animated cinema (especially in Disney productions), most of the time playing good characters, such as fairies, but she was also a Magician in “The Sword in the Stone” (1962).

From the second half of the sixties she thinned out her dubbing activity and if before she had regularly dubbed famous actresses, most of the time much younger than her and in leading roles, from that moment on she was almost always hired to dub middle-aged actresses or older than her, often semi-unknown and in secondary parts, if not even extremely marginal: for example, she gave the voice to Muriel Landers in the part of Mrs. Blossom, who utters a single short sentence within the 1967 film “The Fabulous Dr. Dolittle”.

This downgrading to voice actress of elderly or secondary characters is evident in the film “Uncle Tom's Tales”: if in 1950 Lydia had given the voice to the protagonist Ruth Warrick, in the 1973 redubbing it was instead the voice of the grandmother played by Lucile Watson. The two most obvious exceptions are undoubtedly the Russian Princess for a “Night” (1968) and the Italian “La bella Antonia”, first monica and then dimonia (1972) in which Lydia Simoneschi lends her voice respectively to Vera Titova and Luciana Turina, 40 and 38 years younger than her. In all she dubbed over 5,000 films.

Lydia Simoneschi died in Rome on September 5, 1981, at the age of 73.


Special Birthdays

Mary Begona (actress) would have been 100 today but died in 2020.









Jacques Stany (actor) would have been 95 today but died in 2016.








Wilfried Herbst [voice actor] is 90 today.









Robby Müller (cinematographer) would have been 85 today but died in 2018.








Barry Pepper (actor) is 55 today.


Thursday, April 3, 2025

RIP Alfi Kabiljo

 


Croatian composer, conductor, arranger, pianist, songwriter, librettist and producer Alfi Kabiljo, who left a mark all over the world with his talent, dedication to work and high level of professionalism and touched the hearts of audiences of various musical affinities - passed away on April 1st. He was 89. Born Alfons Kabiljo on December 22, 1935 in Zagreb, Croatia, Yugoslavia with his music, he represented Croatia in the world, with his achievements he became a role model for new generations of composers who greatly respect him, he supported the work of his colleagues and was a regular guest at all important concerts, and he spent his free time in various sports from an early age. Music was Kabiljo's life's calling, not just a profession. He will be remembered by the wider audience as the author of a large number of entertaining songs that have entered the anthology of Croatian popular music. Alfi composed the score for the 1986 Euro-western “Sky Bandits”.

Little Known Spaghetti Western actors ~ Fanny Clair

[These daily posts will cover little known actors or people that have appeared in more recent films and TV series. Various degrees of information that I was able to find will be given and anything that you can add would be appreciated.]

Little is known of French actress Fanny Clair. There must have been more than one actress with that name as the IMDb lists one that has a filmography beginning in 1930. As you can see, she'd be too old to be the Fanny Clair pictured her which appeared as Millie in 1964’s “Jim il primo” (The Last Gun) in 1964 as Millie.

CLAIR, Fanny [French] – film actress.

The Last Gun – 1964 (Millie)

Sergio Leone: MESA VERDE HáROES and Mexican censorship

Festival Internacional de Cine de Morelia

By Rafael Aviña

3/6/2025

The Italian Sergio Leone (1929-1989) was upset in the greatest creator of a subgenre that gained enormous popularity in the 1960s and 1970s: the so-called western spaguetti. Leone conceived a fabulous trilogy of masterpieces in its most ironic, disapply and cruel phase composed by: For a handful of dollars (1964), For a few more dollars (1965) and The Good, the Bad and the Ugly (1966), starring all Clint Eastwood, an actor who had to emigrate to Italy to become a star. Fundamental films within the current of western spaghetti in which Leone, leaning on a striking photograph, a skilful assembly and, above all, in the masterful and characteristic music of Ennio Morricone, his usual collaborator, obtained a crude portrait of the Old West and the American Civil War.

[For a handful of dollars (1964, dir. Sergio Leone)]

Indeed, one of the greatest renovations to a genre that seemed to have died in the early 1970s was provided by the talented Leone with her stories plagued by cynicism, action and black humor. Characters of a delusional amorality and constant turns of the nut, in plots where ambition and sadism reigns. Anthological scenes, such as that virtuous circular travel around some tombs while listening to the theme "The Ecstasy of Gold," by Morricone, the sequence of the final duel in the cemetery, or the mistake between Confederate and Union soldiers because of the dust in their uniforms in The Good, the Bad and the ugly.

With those, Leone turned the quintessential Hollywood genre around and would confirm it with that masterpiece that is once in the west (1968), with a spectacular cast that included Henry Fonda, Claudia Cardinale, Charles Bronson and Gabrielle Ferzetti and a script written by Bernardo Bertolucci, Darío Argento, Leone and Sergio Donat i. A film of enormous violence and beauty and a metaphor about civilization with the arrival of the railway, filmed in the Italian Studios of Cineccita, Almería, La Calahorra, near Granada, Spain, and in the same American scenarios where the great John Ford (The diligence, More Heart I Hate) shot most of his films.

[Sergio Leone]

Something similar happens with Once upon a time the Revolution, called in turn Green Table Heroes (1971) also known as: Gia la testa / A Fistful of Dynamite / Duck, You Sucker. And "give yourself cursed," filmed in Italy, Spain and Ireland, although set in Mexico and Dublin during the period of the dictatorship of Victoriano Huerta; a project that Leone avoided as far as he could, because he would originally only produce it. The film is centered on a bandit upset in a random hero and father of several children of different women who befriends an Irish revolutionary who reads Bakunin and carries a bitter experience of betrayal in his home country.

Sam Peckinpah refused to direct it for economic reasons, then the United Artist producer recommended Peter Bogdanovich; however, they never got it with him. Later, Leone's assistant, Giancarlo Santi, took over the direction, despite the film's stars: James Coburn and Rod Steiger refused to go on if was not led by Sergio Leone, who by then was trying to raise his dream project: Once in America (1984).

[Green table heroes (1971, dir. Sergio Leone)]

Leone obtained a count in short entertaining and brutal: a vision of the Mexican Revolution as extravagant as it is excessive, and Morricone composed one of his most exceptional soundtracks as well as a beautiful musical theme: "Dopo l.esplosion," used in the impressive sequence of the explosion with dynamite. The film was censored in our country for almost 10 years - it premiered in 1979 in the original Cineteca Nacional, the reason: the treatment that Leone and his screenwriters made of the country and the Revolution, by the way, not far from the films starring Pedro Armendáriz and María Felix.

Rod Steiger embodies Mexican bandit Juan Miranda who relates to James Coburn in the role of John H. Mallory or Sean, a member of the Irish Republican Army, betrayed by a friend and arriving in Mexico to support the Revolution. Juan comments that the Revolution is planned by the rich as they eat opparaciously and are executed by the poor, he also clarifies that it is very well gifted as is Pancho Villa, in a film where a reality arises: all social outbursts end in massacres where the masses are manipulated and end in misery, and a small group holing power and wealth by betraying everything ideal.